What critics are saying about TULSA, OK

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Page after page, my jaw would drop. It’s a seriously fucked up book about a seriously fucked up subject. 

Jonathan Blaustein / aPhotoEditor

 

Brilliantly designed by master João Linneu, TULSA, OK is a book of craziness, nudity and loneliness. A book full of death, blood, desecration… Double homage to Larry Clark and Antoine d'Agata, it’s a work that screams, where police sirens howl, where intimate pleasures are intimate disasters.

Fabien Ribery / L'intervalle (France) 

 

A shocking book where on each page we wonder how he did it. It's even more dramatic than we expected! And it’s completely crazy.

Jean-Jacques Farré / LIKE (Paris)

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Your book arrived today. I love the smell of it. And after a quick thumb through, it is beautiful, and haunting and seductive and horrific. I look forward to a deep dive into it.

Lela D. (Santa Fe, NM)

 

This book is garbage. Beautifully designed, perhaps even over designed, but garbage nonetheless. [...] Stay away.

James C.

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It’s a gorgeous book, showing a real problem through a totally new lens. It’s a masterpiece. 

Hope N. (San Francisco, CA)

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This is some of the shittiest porn I have ever seen. [...] Thinking about giving it away. Or shredding and burning it. Fuck you, Mr. D'Allant. 

Andrew M. (Bellingham, WA)

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Read Valentine Zeler's InFrame interview of Victor d'Allant (with a wide selection of photos from TULSA, OK)

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In a very thorough three-part series, Le Photographe Minimaliste tells the genesis of TULSA, OK --what happened when Victor d'Allant met Antoine d'Agata in Bangkok (Part 1), how he ended up in Oklahoma without Larry Clark (Part 2) and why Stanley Greene was such a big influence (Part 3).